• The Conductors’ Baton – The transition from time-keeper to interpreter.

    The Conductors’ Baton – The transition from time-keeper to interpreter.

    February 13, 2026
  • Organology – The evolution of the pipe organ as a mechanical marvel.

    Organology – The evolution of the pipe organ as a mechanical marvel.

  • The Opera Libretto – The marriage of poetic meter and melodic line.

    The Opera Libretto – The marriage of poetic meter and melodic line.

  • Twelve-Tone Purity – Schoenberg’s liberation of the dissonance.

    Twelve-Tone Purity – Schoenberg’s liberation of the dissonance.

    Uncategorized
  • The Silence of 4’33” – Cage’s challenge to the definition of music.

    The Silence of 4’33” – Cage’s challenge to the definition of music.

    Uncategorized
  • Motivic Economy – How four notes built Beethoven’s Fifth.

    Motivic Economy – How four notes built Beethoven’s Fifth.

    Uncategorized

  • The Golden Ratio – Proportionality in the works of Béla Bartók.

    February 7, 2026
  • The Art of Orchestration – Rimsky-Korsakov’s guide to sonic color.

    February 6, 2026
  • Polytonality’s Logic – The dual-key landscapes of Milhaud and Ives.

    February 5, 2026
  • The Physics of the Bow – How string technology altered the concerto.

    February 4, 2026
  • The Ink-Stained Desk – Examining the sketchbooks of Johannes Brahms.

    February 3, 2026
  • Fin de Siècle Vienna – Mahler, Freud, and the collapse of tonality.

    February 2, 2026

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