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| PETER
HUEBNER GERMANY’S NEW CLASSICAL COMPOSER |
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In musical creation,
he demanded that the music be anchored in the heart of the theme or motif
and that,
at any time and in any musical time, it gained its life from this heart.
He saw this phenomenon – like Mozart and Beethoven later would – as the most important criteria of all things symphonic: the thematic work from and with the theme or the motif, a work which was not a matter of placing in series numerous ideas, but of thematic concentration and intensification.
He revealed this principle impressively in his Sun Quartet, where he ventured through the theme and the motif to the interval – that is, he worked forward systematically in line with the natural structures of the microcosm of music.
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“He who
is still
so lacking in Humanity is not free to enjoy civil Liberty.” Schiller |
The counterpointing of the smallest musical element with itself opened the door to musical works in which no musical time stood in isolation, but instead everything was related to the whole.
The intended aim was an ever greater intensification and integration of all musical elements – particularly the smallest and simplest.
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“Talent
works,
Genius creates.” Schumann |