Jesus Lopez Cobos

Conductor
many years General Music Director
of the GERMAN OPERA BERLIN

Music Director of the
CINCINNATI SYMPHONY ORCHESTRA and

Music Director of the
CHAMBER ORCHESTRA OF LAUSANNE

in a letter to the composer Peter Huebner:

At the same time I am also very
interested in your system of
DYNAMIC SPACE-STEREOPHONY . . .”
                                

Prof. Dr.
Rudolf Haase

renowned author founder of the Hans Kayser Institute
for Fundamental Harmonical Research at the
UNIVERSITY FOR MUSIC & PERFORMING ARTS
in Vienna –
the most eminent music university in the world

In a letter to Peter Huebner:

“For many years I have been playing your composition ‘The Song of Life’ to my students, a significant example of that, and how harmonical fundamentals derived by nature can be used as a basis for composition today.

My ‘Fundamental Harmonical Research’ is part of the music therapy course and of the curriculum in 5 departments (faculties at the University of Music in Vienna, which with around 3000 students and 400 lecturers, is the largest in the world.

I am particularly interested in your ‘Music and Health’ project… actually the objective of my career at the University of Music in Vienna focused on providing a scientific basis for the music therapy education introduced in Vienna… You will now have a better understanding of why I am interested in your project: the possi-bility of a co-operation with my institute exists. In any event, I can at only provide encouragement for your project and would be delighted to see it supported from as many angles as possible.

Given my 25 years experience, I can really encourage you to realise similar efforts … in your planned music faculty and would be happy to provide any advice in this respect.”

           

Prof. Dr.
Herzl Shmueli

CHAIRMAN DEPARTMENT of MUSICOLOGY
at the UNIVERSITY of TEL AVIV

In a letter to Peter Huebner:

“I have studied your wide range of research with great interest and appreciation. I am particularly interested in the continuing developments of Micro Music Laboratories from which you are creating a scientific basis for interdisciplinary music research and which extend to all areas of music and various sciences. I am pleased that the areas of emphasis are in music and medicine, music and psychology and music and education.

When I think about your unique musical career and achievements, I am convinced that you are on the verge of raising the understanding of music and of the history of music onto a new level. Your compo- sitions and scientific musical work “Natural Music Creation” and “Natural Music Hearing” and also your study guide of a music faculty of the future particularly impress me. They are unprecedented and open up new dimensions in creating a musical training, which could be pioneering for a revival and expansion of the science of music.

It would be a major coup for the University of Tel Aviv, if, despite your many and varied activities as a composer, author and researcher, you could think about creating a musical training course as a guest professor at our university in the field of interdisciplinary studies.”

                                

Vladimir
Ashkenazy

one of the best pianists of our time

musical director of the
GERMAN SYMPHONY ORCHESTRA
Berlin

musical director of the
ROYAL PHILHARMONIC ORCHESTRA
London

In a public recommendation for
Peter Huebner’s activity he writes:

“I fully support Peter Huebner’s scientific approach to explore the natural relationship between music and human health and behaviour:
three decades of work which finally found its expression in his Medical Resonance Therapy Music.

Music plays a very important role in our life – whether or not we are aware of it. And different types and structures of music can have a highly negative or beneficial effect – not only on the psyche of an individual but on a whole spectrum of a psychological and emotional climate of our society.

I hope that all those who want to contribute to a natural state of harmony – individually and socially – will focus on Peter Huebner’s scientific work and the achievements of his Medical Resonance Therapy Music and become aware of their tremendous importance.”

Noam Sheriff

gehört zu den bedeutendsten Komponisten und
Dirigenten Israels.
1935 in Tel-Aviv geboren, studierte er Komposition
bei Paul Ben-Haim in Tel-Aviv, bei Boris Blacher
in Berlin und bei Igor Markevitch in Salzburg.
22jährig wurde er 1957 durch die Premiere seines
Werkes „Festival Prelude“ mit Leonard Bernstein
und dem Israel Philharmonic Orchestra weltbekannt.

Noam Sheriff publicly acknowledges
the achievements of Peter Huebner:

“It is with the greatest pleasure that I recommend to you the creations of Mr. Peter Huebner in the various fields of music:

        1. Musical compositions

        2. Books

        3. The new revolutionary system
            recently developed for recording music.

Mr. Peter Huebner is a brilliant mind and a great innovator in all fields of music and sound. His searching soul illuminates new aspects and opens new horizons in understanding and experiencing music.
He is a musician, philosopher, poet and innovator in one man. Every assistance which might be given to him will be rewarded in the future as his thinking in the field of sonics is unique.”

Noam Sheriff

Praised for his stylistic authority and mastery of orchestral color, Hans Vonk has garnered wide critical acclaim for his work with the leading American and European orchestras.

A conductor of diversity and experience, Maestro Vonk commands a broad repertoire, ranging from the core masterworks to premieres by American and European composers.

His extensive experience in opera and ballet make Hans Vonk a consummate conductor. From 1980 till 1991 Chief Conductor, Residentie Orchestra of the Hague.

From 1985 through the end of the 1990 Chief Conductor of the Dresden Staatskapelle, Europe’s oldest orchestra, following in a distinguished lineage which includes Heinrich Schutz, Richard Wagner, Karl Bohm, Rudolf Kempe, and Fritz Busch. Maestro Vonk was the first conductor since Bohm to head simultaneously both the celebrated Staatskapelle and the Dresden State Opera.
From 1990 till 1997 Chief Conductor of the Cologne Radio Symphony Orchestra (WDR.

Since 1996 Music Director and Conductor of the Saint Louis Symphony Orchestra.
Guest conducting: Royal Concertgebouw Orchestra, the Oslo Philharmonic, the London Symphony Orchestra, the London Philharmonic, the BBC Symphony Orchestra, L'Orchestre Philharmonique de Radio France, and the English Chamber Orchestra, as well as in Japan and Australia.