|
1965-67 Page
1 2
3 4 Development
of Notation
All
three recording methods – the sonogram method, the tabling method
and |
|||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
1.
|
The
“Sonogram method” developed by the composer – as a scientifically
reversible method for the recording of electronic music.
(The original score has a length of about six meters and was presented for the first time in 1968 during the Berlin Festival Weeks at the International Week for Experimental Music) |
||||||||||||||||||||||||||||||||||||||||||
|
2.
3.
|
The “Tabling method” developed by the composer for recording electronic music (presented for the first time in 1968 during the Berlin Festival Weeks at the International Week for Experimental Music). |
 |
|||||||||||||||||||||||||||||||||||||||||
|
The “Formula method” developed by the composer for recording electronic music (presented for the first time in 1968 during the Berlin Festival Weeks at the International Week for Experimental Music). |  |
|||||||||||||||||||||||||||||||||||||||||
| << | >> | ||||||||||||||||||||||||||||||||||||||||||
| © A A R E D I T I O N I N T E R N A T I O N A L 2001 | |||||||||||||||||||||||||||||||||||||||||||
 |
| p r e s e n t s |
| PETER
HUEBNER GERMANY’S NEW CLASSICAL COMPOSER |
| Home Biographical Data Symphonic Creation CDs The Composer to his Works Experts Media Links |
